Patients coming to Seal all have allergies to something. The clinicians are here to help, to better understand the problem and to find solutions.
Typically, patients will do a lot of waiting around during their visits, all the while confined (for clinical reasons) to their beds.
Boredom, anxiety, dread, fear – these feelings can all too easily creep in. Patients might also go through nausea and vomiting.
It’s sometimes a very tough experience.
We decided to bring in a sparkling, generous spread of gold leaf as a homage to the Victorian architecture of the south wing of St Thomas’ (opened 1871).
The gold spreads across artwork panels, ceiling tiles and the round window returns – helping to channel warm-tinted sunlight around the room and encouraging the gaze towards the incredible views over Westminster.
Seals, illustrated by Kiriko Kubo, swim joyfully around the room – across walls, the ceiling, through weeds, and onto bedheads.
The effect is playful, grand, and uplifting – less like a cold, clinical space, and more a dazzling children’s palace, where children feel special and their struggle is respected and recognised.
Patients really like doing drawings as they wait (some visits can last up to 8 hours!), so we adapted some of the seals’ tails to act as magnetic mounts – giving parents and play specialists a dedicated (and infection-controlled) space to celebrate their creativity with pride.
Families will typically return here about once every six months, and staff love being able to hang up the children’s drawings to greet them at their bedside.
“You may not realise at first but it’s nice to work in an environment that has been thought about and designed with care. It makes an individual feel cared about to be in an environment that has been thought through from a users’ perspective."”
Consultant, Paediatric Allergist
Community is vital here. Families and staff form bonds as they re-meet over the months and years. We integrated a “who’s who” board, which matches photos of staff to their names, helping to make these introductions and reconnections as easy as possible.
The children and families who come here have to be brave. Our work sends a strong signal to them that says: “You’re special, and you can do this. We’ve got you.”
This case study is part of the wider “Evelina Clinical Research Facility (CRF)” project. The CRF project features 3 departments incorporating art, interior design, playful journeys, and colour.
See Projects for all Evelina CRF case studies.
The artwork has been supported by Guy’s and St Thomas’ Charity, which helps create a world-class environment for patients, staff and visitors at Guy’s and St Thomas’ NHS Foundation Trust.